Ned Inti James Ramirez-Condor
 A Formulaic Design Practice.
@non.educated.delinquent
nedramirezcondor@gmail.com
+44 (0)7596407215
Please enquire for portolio.


A pseudo-facsimile of Jan Tschichold’s Asymmetric Typography, 1967. An exploration into the process of bootlegging and the equilibrium between accessibility and accuracy. The artefacting that occurs as a result of the bootlegging process manifests itself in the medium of design as they would in the pirating of movies, with the four iterations of the publication exhibiting the strained relationship of a bootlegged object, the bootlegger and its authentic version.
A pseudo-facsimile of Jan Tschichold’s Asymmetric Typography, 1967. An exploration into the process of bootlegging and the equilibrium between accessibility and accuracy. The artefacting that occurs as a result of the bootlegging process manifests itself in the medium of design as they would in the pirating of movies, with the four iterations of the publication exhibiting the strained relationship of a bootlegged object, the bootlegger and its authentic version.
A pseudo-facsimile of Jan Tschichold’s Asymmetric Typography, 1967. An exploration into the process of bootlegging and the equilibrium between accessibility and accuracy. The artefacting that occurs as a result of the bootlegging process manifests itself in the medium of design as they would in the pirating of movies, with the four iterations of the publication exhibiting the strained relationship of a bootlegged object, the bootlegger and its authentic version.
A pseudo-facsimile of Jan Tschichold’s Asymmetric Typography, 1967. An exploration into the process of bootlegging and the equilibrium between accessibility and accuracy. The artefacting that occurs as a result of the bootlegging process manifests itself in the medium of design as they would in the pirating of movies, with the four iterations of the publication exhibiting the strained relationship of a bootlegged object, the bootlegger and its authentic version.

A pseudo-facsimile of Jan Tschichold’s Asymmetric Typography, 1967. 
2024